the artist appears multiple and in motion, dissolving and reappearing like a visual echo among the pointed leaves of a lush plant environment. This image, which seems to capture both presence and absence, invites reflection on mutable identity and the way in which the body can inhabit (or overflow) the landscape.
The repeated, almost spectral figure suggests a narrative that is not linear but circular, a ritual of appearance and disappearance. The mask painted on the face adds a layer of ambiguity: is the artist hiding behind a theatrical figure or revealing, through it, her rawest essence? The floral-patterned clothing dialogues with the environment, blurring the boundaries between the human and the vegetal.
This expanded self-portrait is both an aesthetic exploration and a performative act. The artist becomes subject, object, and landscape, breaking with the conventions of traditional portraiture and proposing a sensory, almost dreamlike experience in which the viewer is invited to look beyond the still image: to feel time, rhythm, and the constant transformation of existence.